The return of jick on a stick: The A2 Art Fair

It's that time of year again. Dreaded by townies and adored by tens of thousands of middle-aged women seeking yard art, it's the Ann Arbor Art Fair. Downtown streets are blocked off and lined with white tents as far as the eye can see. I think an accurate artistic summary would be: blech. I'm sure there are some lovely things for sale, some of which likely even qualifies as art. But it's the miles of crap on a stick -- which you may remember my whining about last year -- that really puts a damper on my spirits. Old candlesticks? Put 'em on a stick. Silver mint julep cups? A stick! Porcelain angels? Copper frogs? Ancient cutlery? Stick! Stick! Stick!

How did I manage to plan to be in Iowa last week and North Carolina week from next yet stay in town for the invasion, during which a trip to the local bean house for a nice skim latte means tussling with crowds of gawkers in unwise shorts?

Speaking of Iowa, I have returned and am in the process of getting my life back in order. It feels like I was gone for months and I think it'll be the full length of my stay away before I'm back up to speed with work, projects and coaxing the house back from its current disaster status.

Did I learn anything in Iowa this year? Sure. Is it worth imparting? I'm not certain yet, but maybe I'll get around to blogging about it sooner or later, although I've been bad in that vein lately. Who knows? If I survive Art Fair, anything's possible.

Greetings from Iowa City

Brown Street InnIt's about 9 o'clock in the evening and I'm sitting on the front porch of the lovely Brown Street Inn in Iowa City (pictured above), enjoying the intersection of this place, which evokes a bygone era, and the wondrous advantages of wireless internet connections. It has been hot here the past couple of days, as it has been each year I've come, but the weather has actually broken and there's a cool breeze to be enjoyed.

I'm looking out on a leafy green street, with cobblestone brick roads and beautiful houses showing off their turn-of-the-century architecture. The sky's is the most amazing wash of pink and blue. An occasional car drives past but otherwise, with the exception of the early tree frogs, it's virtually silent. The little black kitty who makes the porch her home has come to perch nearby and keep me company. This is Norman Rockwell stuff, the backdrop for the perfect summer evening.

I'm in Iowa City, as you may know, for my third year attending the Iowa Summer Writing Festival at the university in the hopes that some of the decades-long prestige of the Iowa Writers Workshop will rub off on me. The jury's still out on the workshop I'm taking this week. It's called Advanced Short Story and I was actually nervous about whether or not my writing was far enough along to qualify, but we seem to be operating at a relatively tame level. Not sure how much I'll get out of it, but I'm willing to see what tomorrow brings.

We're workshopping three student-written short stories each afternoon, so the homework level is quite intense. Thus, I must sign off this brief update and get crackin' on tomorrow's fare.

It's beautiful here, right this minute. Chris, honey, I wish you were here.

Everything hurts

Turns out I held my own at Thursday's spinning class, although my ass was killing me by about 10 minutes in. I seemed to be the only person having rear discomfort as no one else was shifting and wiggling around in their seat quite as much as I was -- which seems strange because I have, by far, the most padding in that area and you'd think it would make life easier. It does not. It's a good thing I survived it so that Chris and I could attend a Stretch & Tone class on Friday that completely kicked my ass and all the other parts of me. Definitely more toning than stretching. I worked out parts of me that I hadn't moved since last doing the Jane Fonda workout circa 1988 (which is reponsible for the fact that any time I hear REO Speedwagon's "Keep the Fire Burning," I compulsively take my arms for wide circles).

Looking on the bright side, it turns out I do have ab muscles somewhere in there. I know, because they ache.

I've been running around like the proverbial chicken today as Fara and I are leaving for Iowa City tomorrow morning. We're each taking a week-long workshop at the Iowa Summer Writing Festival. I had hoped to be organized and send in my short story in advance of the class, but then I remembered I was me, waited until the last minute to do a final edit/polish and got it printed and copied late this afternoon.

Also in there, I worked frantically on my second stab at sewing a summer top for myself (not counting "recons" of too-big tees, etc.). Turns out I'm just not getting it. Clothing is so finicky and so difficult to fit properly. A smart person would give up now and realize she could have just bought several tops for the amount she's spent on unwearable disasters thus far (other attempts include a disastrous sundress that wound up being a too-small, lopsided skirt). But I am not a smart person. I am frustrated and confused and challenged and plan to keep on throwing away money in the pursuit of getting just one damn wearable item out of all of this.

It's either that or every single person I know gets a tote bag for Christmas this year. And none of us wants that.

Anyway, the new shirt will not be accompanying me to Iowa...or anywhere outside of the house. But that's okay, because it's always damn hot in Iowa City, so who needs shirts anyway? Woo hoo! Actually, it's supposed to be 96 degrees here tomorrow and I'm abandoning Chris to a hot house while I bask in the cool A/C of the lovely Brown Street Inn, where Fara and I are booked.

Speaking of the lovely husband, Chris tucked a few surprises inside the Kinko's box containing the copies of my story for handing out to my classmates. In addition to a couple of trashy mags and a chocolate bar (does the man know me or what?), he bought me a lovely book called How I Write: The Secret Lives of Authors. I haven't had a chance to do much more than glance through it, but it's a collection of pragmatic advice from a range of writers (including Athony Bourdain, Douglas Coupland, Jonathan Franzen, A.M. Homes and Rick Moody) about how they write -- where, when they go about the most difficult part of this writer's life, the actual act of writing.

Isn't that the most thoughtful gift? "Go write," my husband said as he gave it to me. "Go do what you're meant to do." I'm the luckiest woman alive. I swear, I am.

Speaking of said husband, I meant to mention last week that he was interviewed by a lovely reporter for Wired Magazine who flew into town for the occasion. Don't know when the piece is coming out, but it may be the first Sharesleuth.com article that actually focuses on Chris' work and the journalism rather than bickering about the business model. About time, I say.

Anyway, I've still to finish packing -- as tossing things on an armchair doesn't quite do it -- so I'll dash off. I'm trying to keep my expectations in check. This is my third year in a row going to Iowa for a week and I always set such high expectations for myself -- that I'll write a novel, have an epiphany, lose 30 pounds. This time I'm going to try to focus on being in the present, doing what's in front of me, enjoying the time without pressure. That should be a piece of cake, no?

Random thoughts from a week of not-blogging

1. Saw Michael Moore's Sicko last weekend at the beautiful Michigan Theater in lovely downtown Ann Arbor. Not everyone's a fan of the portly Mr. Moore and his equally large opinions, but if there's a film of his to watch, it's probably this one. It's surprisingly opinion-free and with good reason; the state of health care in this country is such a big-business racket, there's little commentary needed. He pushes the envelope with a segment involving taking 9-11 rescue workers to Cuba for healthcare, but it's probably a smart strategic move to help silence the critics who love to accuse Moore of being un-American. You'll laugh, you'll cry, you'll cry, you'll cry. 2. I signed up for a Beginner Spinning class at the Y a couple of weeks ago. It seemed like a good idea at the time. But it starts tonight and it no longer seems like a good idea. My knees hurt just thinking about it. I'll let you know if I survive it.

3. I leave for Iowa on Sunday for the Summer Writing Festival and finally decided which story I'll use for the advanced short story workshop I'm taking. I was going to whip up something new, but the inspiration didn't hit and I've a couple of pieces that I wanted to work on. It's a relief to have that selected and not worry about coming up with something new.

4. Finally watched The Last King of Scotland last night. Apologies to all the people with Netflix who had to wait 800 weeks to get it since it's been sitting on top of my DVD player for ages. Thought it was pretty good, especially since Glaswegian James McAvoy holds his own as a young Scottish physician against Forest Whitaker as Idi Amin. I was warned about it being dark and brutal and it certainly was, especially towards the end. I watched the "behind the scenes" bits on the DVD after and was really surprised to learn that perhaps the most graphic images the filmmakers employed (involving a woman's mutilated body) was actually a debunked myth. I still can't wrap my mind around why, as storytellers -- albeit telling a fictionalized account involving a real man -- you'd choose to perpetuate a myth when there are plenty of real Amin-related horrors you could rely on.

5. I've been driving myself crazy lately, grammatically speaking, using the unnecessary "have got" combo. At some point, I realized I say, "I've got to do this or that" a lot when it's far tidier to say "I have to do this or that." Now I'm driving myself to the point of distraction with it. It's everywhere! ("America's Got Talent." Try, "America Has Talent -- and Bad Grammar." ) Ack. I can get slightly obsessive about these things. Also, everyone needs to stop using "myself" as a substitute for "me." It's also driving me crazy. ("My wife and myself went to dinner last night..." "You can talk to Sheila or myself about your STD...") Me! It's just plain ol' "me," people! Quit trying to be fancy.

6. Back to time-wasters...due to lack of cable, I'm usually a couple of seasons behind on cable shows (though not always, as I have "my ways.") Thus, I've only recently watched entire back seasons of Entourage, the much-ballyhooed HBO series. I'd avoided it this long because of my deep-seeded aversion to Jeremy Piven. But damn if he isn't funny as hell as the loathable agent Ari Gold. I don't know what it is about that show, but it's sort of perfect summer fare -- eminently watchable. Put me on the bandwagon, folks, which I know has been full for ages.

7. The one thing I haven't been doing much of lately is reading, which is unusual for me. Since I've been spending much of my free time sewing, I've been listening to podcasts or watching old TV (see above post) while I stitch away. But with Iowa looming, I've picked up Eggers' "A Heartbreaking Work of Staggering Genius" which I set aside about halfway through a couple of months ago. Not sure why. But I'm back at it and when you've been away from reading for a while, you forget how meaningful and rewarding it is. Lately I've had the attention span of a fly and can barely get through magazine articles in one sitting. One hopes that this too shall pass.

Catching up

06.22.07 (57) I haven't been a very good blogger lately. Were there a High Commission of Bloggers -- no doubt headed by teenage girls and boy-geeks -- I would have been put on warning for sure. And that means you've been missing out on all the fabulously entertaining moments of my life. Or something.

The most notable (and enjoyable) event of the past couple of weeks was a three-day visit from my sister and my two youngest nieces, Olivia, 5, and Rebecca, 8. That's them above with the campus clock tower growing out of their heads. We had a really terrific visit ambling about town. (Olivia below.)

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Among the cool things we did was hit the Ann Arbor Summer Festival called Top of the Park, which is a little confusing since it's not currently held in a park but, rather, on campus. (Turns out it used to be held on top of a parking lot which, while certainly less scenic, makes more sense in a titular vein.) Chris and I were in St. Louis last June, so I had no idea that this event takes place. Every night in June, they have bands playing outside for free and most weeknights they're followed at 10 by an outdoor movie. Pretty cool, no?

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Last week, we went to local fave Stucchi's for some ice cream (the girls are devoted to their lemon sorbet) and wandered over to check out Strange Fruit. This Australian performance art troupe does a very cool thang that sort of combines acrobatics, dance, theater...a little hard to explain. They sort of sway back and forth at the top of these long poles, performing out silent storylines of love unrequited to an operatic soundtrack. The only drawback was that length of the show -- just 20 minutes or so, but the girls (and I) thought it was pretty riveting.

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We also managed to kill three-and-a-half hours at Ikea while they were here. The girls had a blast wandering around all their room mock-ups and picking out "their" kitchens. (If you haven't been to Ikea, the showroom contains entire rooms set up to demonstrate different ways to use their products, as well as a couple of tiny "apartments" to show how their stuff works in small spaces.)

Since they left last weekend, we've just been trucking along with life as usual. Nothing too exciting, hence the lack of posts. Both of us have been really busy with our jobs, which generally get in the way of having non-stop fun, but what are you gonna do?

Flight of the Conchords

My friend Margaret -- who is about 15 years my senior -- has noted on more than one occasion that our tastes are virtually identical, except when it comes to what she calls "age appropriate" material. I suspect that the new HBO series Flight of the Conchords, named after the New Zealand band it stars, falls into that category. The show features the fictional adventures of the scraggly "digi-folk" duo --Bret McKenzie and Jermaine Clement -- as they struggle to make a name for themselves in New York City. Flight of the Conchords is a real band...sort of. I mean, they do write and perform music, but it owes as much to comedy as it does to music. The pair formed FOTC in 1998 and have made a name for themselves on the international comedy circuit and did a BBC radio series a year or so ago. Their music is purely comedy satire but with spot-on send-ups of entire musical genres (and, in the show, their videos) from the past couple of decades. (Their "Inner City Pressure" is a brilliant homage to The Pet Shop Boys' "West End Girls.")

The storylines of the show -- if they even qualify as such -- are pretty thin, and sometimes it's hard to tell if the show is hilarious or boring. It's a finer line than you might think. It's hard to imagine that you'd appreciate the musical numbers without a solid grasp on the ridiculous eighties-rock tunes that inspire many of them, but if you or your sense of humor are age 12-35, you might find this entertaining. But Margaret probably won't.

The show airs Sunday nights on HBO, if you've got it. If not, you can watch clips here. (I also highly recommend watching "She's So Hot, Boom." Awesome!)

Buy local, eat local, eat lettuce, etc.

06.16.07 Farmer's Market Since moving to Ann Arbor, Chris and I have found ourselves making some changes in the way we live our lives. Neither of us had a big discussion about how we wanted to "buy local" wherever possible, but it has become a matter of some importance to us. Perhaps it's the fact that when you live in a smaller community like this, you get a greater sense of the impact of spending your dollar wisely. Perhaps it's the fact that we walk into and around town frequently, which means we know the local business better and are more in touch with what's available. And it's all certainly helped by the fact that Ann Arbor is a sworn enemy of the big box retailers, reluctantly allowing them to crop up only on the outskirts of town.

It means that sometimes we spend a little more money than we might otherwise -- buying running shoes from a local shop at $10 or so more than at Sports Authority -- because we know our money goes to support the local economy and not, say, world domination. Not everyone can afford to make those decisions, and we certainly spend our fair share of dough at Target and other national chains, but it's nice to be able to from time to time.

One of my favorite spring and summer traditions is our Saturday stroll into town for the Farmer's Market. Now, compared to the fantabulous Soulard Market in St. Louis, the Ann Arbor Farmer's Market is teeny tiny and, it seems to me, far more expensive. But it's within walking distance of our house and it allows us to pick up whatever's in season at fair prices while supporting local community farms, eating semi-organically, and (at least we like to imagine) taking a smaller chunk out of the environment (considering fuel costs and emissions for our produce to travel from California or further).

My friend Margaret in St. Louis inspired me to look into buying a produce share here. Although we're too late to get on board for this year, I think we'll get in on it next year. There are several organic farmers in the area who sell shares. The way it works is that you become a member or a share-holder in a local farm and, in return, you get a box full of their produce every week or so. (If you don't know about community supported agriculture or want to find a CSA farm near you, go here.)

Today we picked up the bounty pictured at the beginning of this post -- absolutely gorgeous sweet red strawberries, organic leafy green lettuce, organic orange and red tomatoes, snow peas, organic green onions and broccoli. The only thing that set us back more than I care to admit were the organic orange and red tomatoes, which were $3.95 a pound. The sticker price for four was shocking but I couldn't bring myself to argue with the Amish girl who sold then to me. Despite her bonnet, she looked like she might be able to take me.

Now we're planning dinner tonight based around our purchases, which is kind of a fun way to do things. I'll make a salad of the tomatoes with fresh basil and balsamic vinaigrette. We'll pick up some mahi at the grocery store and grill it, with a mango-lime-avocado salsa we've only just invented in our head. Toss the snow peas with a little olive oil and garlic and grill them in a basket and voila! A largely local dinner. Aren't we something?

I found my keys

In my purse. Seriously. Don't laugh. Let me clarify: they were in the lining of my purse. Having snuck through a hole in the seam, they hugged up against a corner, making nary a sound except for some stifled giggling as I rifled through again and again in their pursuit. Yesterday, riding in the car with my purse on my knees, I felt the shape of them through the bottom of the purse and assumed I was hallucinating. I was not.

Let that be a lesson to you. What lesson? I don't know. But let it be one.

Lessons are important, after all. I've learned tons of them in the last week. Like, when you're buying cording to make piping for cushions don't just assume that the 99-cents-per-yard stuff they have up front is the right stuff. If you ask the expert lady, she might direct you to the back of the store where the right cording is just 29 cents per yard. Of course, you probably knew that. You probably didn't have to buy 11 yards of the expensive kind, then run out and then discover the right way to do things.

You probably already knew that whoever coined the phrase "measure twice, cut once" didn't realize what a dunce I am and should have said, "measure five times, cut once." So far, I'm averaging "measuring three times, cut twice, never quite understanding what the hell went wrong the first two."

These are expensive lessons, my friends.

But I am learning, and I think that was my point. I have to say I'm a fan of the whole learning process, mostly in theory. Take sewing, however, (which I realize you've no interest in, but bear with me nonetheless) which I have been doing for about two weeks now. I was struck this afternoon by how comfortable I am already with little things -- winding a bobbin, threading the needle, changing stitches, switching the foot on the machine -- that were completely alien to me a fortnight ago. For lack of a better phrase, I dig that.

I must note also that the knitter in me is both baffled by the intense precision involved in sewing and dazzled by what seems like instant gratification of small sewing projects. Knit a cushion cover and it might take you all weekend, sew it and you're finished in a couple of hours, max. I'm not abandoning knitting, however. You can't sit and watch TV with your sewing machine on your lap, nor do you get the same reward of tactile, soothing, repetitive motion from pressing the pedal as you do from slipping yarn in and around your needles.

The common thread (HA! Unintentional sewing pun!) in all of it is that there is probably little I love more on this earth than making things with my hands. With writing, I rarely enjoy the process, but I love the outcome. When I'm making things it's nearly all about the process itself, the challenge, the frustration and ultimate triumph of figuring out a new technique. It's definitely not about the outcome, since half the time it's lousy.

I've had to pull myself away from sewing the past week to tend to writing work that must be done -- articles for a freelance client, selecting and finishing a short story for my upcoming Iowa workshop. It seems that I should just be allowed to putter around all day, doing what I like, making things and being creative. Why isn't that a job -- covering the occasional throw pillow, slowly knitting a summer sweater? It just seems so unfair, having to work to survive, don't you think?

A few additional random thoughts from the weekend

1. Knocked Up is good. Not great, but the good news is that Paul Rudd is hot again. 2. Ocean's Thirteen is better than Twelve but, frankly, I could watch Pitt and Clooney picking their teeth in well-tailored suits and I'd be perfectly entertained.

3. Keys still missing. I've never done this before. I've misplaced keys for a day or so, only to find them in the fridge or the bathroom closet. But we've searched high and low and said keys are gone. VANISHED!

4. I am becoming quite the expert at covering throw pillows. Chris is becoming quite concerned. Soon, our throw pillows will have throw pillows on them. I can't sew anything else yet.

5. If you are at all craftsy, do check out the publication Adorn. It's filled with crazy projects you'll probably never make but flipping the pages makes you feel like you're in good company. (Also, check out the crazy vintage reproduction fabrics at ReproDepot -- supercrazycool and kitschy to the extreme.)

6. I love Eddie Izzard. I do. He's hilarious and brilliant and even though I had difficulty getting through the first few episodes of The Riches because of his spotty American accent, I'm hooked. Sad to see that season end. (Props too to Minnie Driver who does ignorant-Southern-American better than any native.)

A weekend in A2, part II

06.09.07 1 (6) Yes, the glorious weekend continued on to Saturday, when Chris and I hit the Farmer's Market and then Zingerman's for lunch. The evidence, in photos, if you will:

Mmmm...strawbies...

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Wooden fish. No reason.

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And pretty flowers...

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It is Ann Arbor, so a little peace with your produce...

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Head gear for your "Little House on the Prairie" re-enactments...

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Al Gore, America needs you!

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But me? Mostly I just needed lunch at Zingerman's:

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Loads of loaves to ogle while in line...

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Plus beautiful hand-made local cheese...

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Perfect day for dining al fresco

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After lunch, a little impromptu entertainment outside the Kerrytown Concert House as a father and son fiddlin' duo practice for a recital...

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And all of that by 1 pm!

A weekend in A2, part I

I spent much of this weekend wandering around Ann Arbor with my new camera, taking pictures of not much important and enjoying the weather and the company of my husband. The former was idyllic and the latter was a nice treat, as he has been working 15 hour days, seven days a week for some time now to keep the wheels of Sharesleuth rollin'. (The result of this last burst of work is an interesting piece on a company that implants human cadaver bones into spines -- which, you might be fascinated/horrified to learn does not require FDA approval. Read it here.) Friday evening Chris and I wandered into town after dinner to check out the scene and grab a coffee. On the way, we encountered some A2 wildlife:

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Even the graffiti artists are polite here:

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Ann Arbor's packed with some really gorgeous architecture, especially around Main Street. This view is of one of my favorite buildings, the First National Bank Building, an Art Deco gem that dates back to 1927 and, at the time of its erection, was the tallest structure in the city.

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Nowadays, historical architecture competes with the crop of lofts that are popping up around the area, most of them in new construction high-rises. (Well, not too high...A2 doesn't like to have their skyline messed with, and I say, good on 'em.) I can't conceive of where they'll find people to fill all the lofts they're building, especially at price tags ranging from $250k to $600 per unit.

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Onto downtown...typical of a gorgeous summer eve, Whiteyville was in full swing, packing in the outdoor cafes.

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Not a bad place to live, at all.

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Those who can't...blog?

You know the addage. Those who can, do, those who can't teach free workshops on it at 826 Michigan. Perhaps I'm paraphrasing. I am having, you may be able to tell, a crisis of conscience directly related to just what it is I might want to be when and if I ever decide to grow up. Perhaps the latest tug on this thread of doubt was my rejection from the Breadloaf Writer's Conference. You may see it simply as a lack of acceptance, but I prefer the word "rejection." It's more pathetic; it merits, somehow, more sulking.

I suppose I should have seen it coming. Breadloaf is, after all, a writer's conference of great repute. And I did apply in the genre of fiction (in which I am an infant) and not in the genre of non-fiction (in which I am not.) So why did it hit me so hard that I didn't get in? I knew it the moment the envelope arrived -- a thin #9 envelope. Anyone who's ever applied for college or, well, anything knows that a thick envelope is what you want. Something with housing info, forms to sign, pages on which to write "I'm terrific! I got in," fold neatly and mail back to them in a SASE.

I just wanted to get in, you know? I wanted to be good enough. Sure, I'm going to the Iowa Summer Writing Festival next month for a weeklong short story workshop. And, sure, I come back from there every year feeling pretty invigorated. But let's face it...the only challenge in getting into Iowa for a summer workshop is whether or not your check clears.

So I'm left to conclude that I have a lot to learn about fiction. I can live with that conclusion. It seems reasonable and, perhaps even beyond that, true. What I'm tempted to conclude and am not yet sure about is that I suck at fiction. That I can't write it. This could be true.

Yet here's what's baffling...I just wound up my third six-week session at 826 Michigan teaching a narrative writing workshop to teens, 14-16, along with my good friend and fellow writer, Jason. And I love it. I really do. Sure, there are moments when I want to jump across the table and strangle the participants, but they are nothing compared to the moments when you can see the gratitude and passion in these kids eyes because someone's taking their writing seriously, someone wants to talk to them about their writing.

When I'm in there, I'm confident that I have something to share. Somehow, I know this stuff. Maybe not all the technical stuff -- I'm not an expert on plotting and themes. But I do know a lot about writing fiction and I can help them learn to love writing and to love talking about writing. I can help them become better writers.

So how can I know all this about what good fiction looks like and yet I can't produce it? Is this a case of the old addage? I can't do it, but I can teach it? Does that make me a phony, talking to these kids about how they should be writing when I can't pull it off? It's very strange for me to possess such passion and knowledge about something I can't do.

And I like talking about writing fiction far more than I like doing it. All the writers out there know exactly what I mean when I say it's hard frickin' work. It's torturous. It's painful. It takes years off your life, puts inches on your waist and adds wrinkles to your forehead.

So that's what I've been thinking about lately instead of blogging. Productive, no?

Life Lessons from Sewing

I think I'm going to pen one of those annoying-yet-inexplicably-best-selling books of banal life "philosophy" gleaned from an everyday activity. Mine will be about learning to sew, something I have wanted to do for a long time and embarked upon solo this past holiday weekend. Here are the things I have learned thus far:

1. When a pattern suggests a certain fabric, they mean it. This is not the place to get creative when you're on your very first project and start substituting, say, velvet for cotton.

2. Machinery with fast-moving needles is scary. In retrospect, it seems that a) this may seem rather intuitive and b) I'm not actually too smart.

3. There are no shortcuts in sewing. There is no room for laziness or impatience. You will pay for it all later, in sweat, in tears, in waste, in cash. Thus, why I'm doing it is a mystery.

4. As with most crafts, a $10 nightgown will wind up costing you $75 when all is said and done. And it will be a crappy-looking, ill-fitting $75 nightgown.

5. The cutting lines are not suggestions. Cut something wrong and the game is over. OVER!

6. If you're already in constant neck pain, craning over a table, a sewing machine, a help book will not help.

7. I am unequal to it all.

On a completely separate note -- and the perfect one for distracting me from the sewing supply explosion that has taken over our dining room -- my new camera arrived in the mail today. It is a Powershot S3 IS (thanks to Thomas for the suggestion) and is the perfect upgrade from my consumer point-n-click to something with more serious potential.

It feels giant compared to my previous pocket model and it has a zillion controls that I hope to learn to use but is also pretty easy to set to Auto and get great results. The package I ordered it with also comes with a telephoto lens, a wide angle lens and some lens filters so if I ever figure out what all those mean, let alone how to use them, it could make for some beautiful pics.

Right now I'm digging the macro setting, which lets me take useless pictures of things very close up. All of the flowers in our garden are now feeling a complete loss of their privacy. But the results are stunning! So come visit me soon so I can take your picture!

Also, email me if you know how to miter lace....

The problem with Ann Arbor

I know, I know. Since I moved from St. Louis to Ann Arbor, I've become the latter's unpaid ambassador, singing this small town's praises like nobody's business. I've been here long enough, however, to see that all is not golden in this little haven. For a supposedly liberal town, there's almost no gay community here and way too many environmentally-destructive SUVs parked outside the food co-op. Most of the punk rock kids are likely riding skateboards paid for by trust funds or, at the very least, generous upper-middle-class allowances. And while the university injects a certain amount of cultural diversity, this is a white, white place. In addition, there's not really much of a real working class here -- and no, sorority girls waiting tables does not count. And this, my friends is precisely why, this is what's wrong with Ann Arbor: http://annarbor.craigslist.org/rfs/335950974.html .

That's basically my dream house -- a cute little Arts & Crafts bungalow, with hardwood floors and a working fireplace. Granted, I'd ideally love to have three bedrooms and not two, so Chris and I could continue to have separate offices, but let's say I wasn't fussy about that. This charmer has an updated bath, a back patio and even a garage, which is a definite plus when the weather turns icy-snowy. And it's within walking distance of downtown, which means we could remain a one-car family and ensure at least a little exercise once in a while. It's a total of 910 square feet, for which the crack-smoking owners are asking...

$309,000.

That's right. Three hundred and nine THOUSAND dollars.

Now, this is just crazy talk, even for this inflated housing market. Pfizer lay-offs have resulted in a bunch of foreclosures in the city's outskirts, where housing prices are more "reasonable." And, yes, adorable homes within walking distance of downtown are premium real estate here. But seriously? The St. Louisan in me just cannot imagine that kind of housing cost. This isn't New York, people. It's Whiteyville, Michigan. Am I missing something? Are the basements here paved with gold? The foundations built with bricks of cocaine?

If we ever decide to stop renting here, we will have to live in a cardboard box. Although clearly we'll have to look for one on the outskirts.

(Note: $309,000 is the reduced price for this home. It was on Craig's List last month for $330,000.)

With a heavy Hartford

Yesterday I got a call from my lovely friend Shannon McGinn, who relayed the sad news to me that she and her business partner James have sold Hartford Community Cafe in St. Louis, my beloved old haunting ground. Thus the bad titular pun of this entry. For lack of a more eloquent expression of sentiment, let me just say I am completely bummed. If you don't know Hartford, then it's hard to explain just how important it was to me, this little community they created over the past few years. Maybe where you live you have just such a place -- a corner coffee shop, owned by people you know and like a great deal, with a rotating cast of lovable loons both in front of and behind the counters. With Hartford, Shannon and James accomplished what many business owners only dream of -- creating a place where customers truly felt like they were a part of something, a place where they were really and truly welcome.

Hartford was unabashedly imperfect, eschewing the mainstreaming dictates of more corporate venues for a laid-back sensibility that attracted regulars looking to feel at home even when they weren't. Lots of businesses can attract customers but Hartford attracted people and, at the risk of sounding totally cheesy, many of those people became friends -- of the owners and of each other.

Even since I moved away from St. Louis -- no, especially since I left -- Hartford provided me with a central hang-out upon my return, a comfortable and familiar place where I knew the faces. Shannon and James opened their place to the the community (I know, I keep overusing that word, but there simply isn't a just substitute -- check your thesaurus), kindly providing us a home for Free Candy when the late, great Commonspace closed its doors. They stayed open late on Sunday nights just to accommodate our show and couldn't have been more supportive and encouraging of our kooky efforts.

I have to say I'm feeling a little homeless right now. I understand that life takes unexpected turns and that Shannon and James have made a very, very difficult decision, and that it is the right decision for them. I hope they never equate selling their business with failure, since the community they created on that little corner of Hartford and Roger in South City helped breathe life into the neighborhood was -- is -- an unequivocal success.

I truly hope that, whoever the new owners are, they understand that the intense loyalty of Hartford's customers wasn't because of the cappucinos or falafel sandwiches -- it was because of the spirit of the people who owned the place, the energy they put out there and the family of customers they attracted. We could all go down to Bread Co. or Starbucks if we wanted fast, perfect service in a sterile environment. It was because Shannon was there and made us feel not only welcome but as though we were the most important people on earth.

I wish Shannon and James all the luck in the world wherever their next adventures take them and I'm especially grateful that I get to count Shannon among my close friends now, and that's all because of Hartford and the way she opened the door to me. I'm going to miss swinging by and setting up my laptop, knowing it's only a matter of time before a familiar face drops by. I'll miss long stretches of chatter with Thomas Crone and Fred Hessel. I'll miss the exceptionally accommodating skills of Customer Service Kal. I'll miss seeing Michaela, Val and Jermaine, all up to various levels of no good.

Thank you, Hartford, for the countless afternoons and evenings, the hours of wireless internet access, the crazy episodes of Free Candy, miles of yarn knitted, endless cups of coffee and hot tea, mounds of falafal sandwiches and the cast of insane, unpredictable characters you attracted that just made it all feel so much like life.

Mother's Day

This weekend, on Mother's Day, we buried my mother. That might come as a surprise to those of you who know that it's been 3-1/2 years since she died. We had originally placed her ashes -- now sealed inside a black and white marble box -- in her garden at her and my Dad's house. However, when my father sold the house a while ago, we moved my mother's remains and have sought for a while to find the appropriate place to put her to rest. We are not church people, nor are we cemetery people. I'm more of the scatter-me-and-I'm-gone sort -- or at least I thought I was -- but that's hard to do when one's remains are hermetically sealed inside marble. Can't exactly scatter a marble box without risking injury and/or a lawsuit. I do know that, in the time since my mother died, I've felt as though we were missing something -- some kind of physical touchstone to remember her by.

I would like somewhere, I've realized, where I can go and remember her. This has become especially prevalent now that the house she and my father lived in together has been sold. My mother was everywhere in there, from the Pepto Bismal pink paint on the living room walls to the blue and yellow kitchen curtains to the sprays of flowers springing up next to the pool. The entire place was her.

Now that my father has remarried and moved into his new wife's home, there is no place that feels like my mother. I have photographs and mementoes. I have some of her clothes, scarves, books. I have a notebook from her days at teaching college in Glasgow, pages she filled copying poem after poem in her incredibly neat handwriting. I have cards and letters, a pair of shoes, some purses. I have items that she knit by hand. But I didn't have a place -- nor did I really expect I would want one.

We learned that the church preschool where my mother taught, in Louisville, had planted a tree in her honor, complete with a memorial plaque right next to the brand new playground. It occurred to us that this would be an ideal place to lay her to rest and so we tried for a year or so to coordinate schedules so that my sister, two brothers and various spouses, children and significant others could be present.

We aimed for this Mother's Day. My older brother, as it turned out, was on a belated honeymoon with his wife, so he was unable to be there. My younger brother, who manages a restaurant, was unable to get time off work. So it was my sister and her family, me and Chris and my father who went to the church on Sunday to memorialize my mother.

I did not have tremendous misgivings about this event. It made sense to me, that we would finally have some kind of, as the psychobabblists like to say, closure. There has been so much change in our family since my mother died, I thought it would be a resolution, some kind of punctuation mark that might allow us to move forward, intact in whatever way we could be after a death fractures a family.

My mother was a beloved and very gifted preschool teacher. She had infinite patience for her children and they adored her. So perhaps I should not have been as surprised as I was at how present she is at the preschool, how well memorialized she is. There is a path of bricks at the entrance to the new playground composed of bricks inscribed with names of donors, students, parents and lost loved ones. How strange and slightly stunning to see one of them bearing my mother's name and that of one of her classes from the 1997-1998 school year. It must have been organized by the parents of her class that year, parents who remembered upon her death a full five years after she had taught their children. How odd and unbelievably moving to know that people had remembered my mother in ways I was not even aware of.

My mother's tree is at the far end of the new playground, in a lovely shaded area. If I knew more about trees, I could tell you more than that it is a young one with a plaque at its base that reads, "In loving memory of our teacher, Mrs. Anne Smillie, October 2003." If I knew more about people, I could tell you whether or not it is always wrenching to see a memorial and skip over that brief moment between when you recognize it as a symbol of loss and that instant when you recognize it as a symbol of your loss. It feels strange and personal and gut-wrenching.

My nieces Rebecca, 8, and Olivia, 5, placed some irises next to the plaque and the rest of us took turns following suit. We had a moment of silence and then my sister and my dad took the girls inside to see a tile wall they had installed inside the church to further honor my mom. In their absence, I watched as my brother-in-law Bill dug a hole in which to place my mother's ashes. Chris helped him gather up some mulch to cover the hole with after we were done in the hopes that it would all just blend in, perhaps as though we'd never been there.

Bill and Chris went back inside and sent out my father and my sister and just the three of us stood for a moment before my father placed the marble box in the hole. My father has aged considerably in the three years since my mother died. His hair is nearly completely white, his movements are hesitant and more laborious. Of the most painful images in my life, certainly one is that of my father lifting that heavy marble box and stumbling awkwardly to his knees in order to put his wife's remains to final rest.

We took turns covering the box with dirt, then spread mulch across the top to disguise the freshly disturbed earth. By the time we were done, no child on the playground would suspect that anything had been changed in their tiny world, exactly what my mother would have wanted. And then we left.

I don't know what difference it will make going forward to know that my mother is in her final resting place. It is not that I believe she is in that box, that we have buried anything more than her physical remains. I don't know if I'll visit that spot on future visits to Louisville. But something feels undeniably concrete about having placed the ashes; it feels heavy and sad and right. It feels less to do with how we've handled her remains and everything to do with how we've honored her memory.

And it feels like it's over, which is good. Something is settled, taken care of. I'm not sure it makes any difference to my mother, wherever or whatever she is now, but it makes a big difference to me.