Because I don't. Because it's totally, totally beneath my massive intellect and discerning cultural standards. But if I did watch it, and let's say I watched most of the season for the first time ever, then I would think it worth remarking that America seems to have made a fine choice. David Cook seemed from Day One like a truly nice, mostly humble, root-for-able fellow. And not in the on-the-verge-of-creepy way David Archuleta did. So, in other words, if I did watch it, I'd be thinking how nice it is to see a nice guy win.
In summary
Is it just me or is this blog slow to load lately? I don't know if it's a function of my internet connection, but it seems to be taking a long time. Same with the Word Press dashboard page where I pen these entries. Slow, slow, slow. I'd assume it's just that my hosting site sucks but I haven't changed it and I don't think it was this bad before. Maybe I'm just growing more impatient . But if you're having problems with it, I'd like to know. Comments, please! Let's see, where were we? A little update, since it's been a while since I last blogged...
Chris and I celebrated our 7th wedding anniversary on Monday, although the official observation was last night, when we headed into The Big City (Detroit) to see Eddie Izzard at the Detroit Opera House. The venue is really beautiful, incredibly renovated, absolutely gorgeous in that over-the-top sort of way. It's also pretty huge, which becomes overwhelmingly evident when a sole figure takes the stage and the entire sold-out crowd goes mad with applause.
Izzard was incredibly funny although, sadly, not in cross-dress for this tour. Not that it would have made much difference, since our seats were way up in the balcony and he could have been wearing Kabuki masks and we wouldn't have been able to tell. It's a credit to his literate, rapid-fire style of comedy that he was able to hold us all rapt, keep us doubled over, alone on a stage without set, even when we couldn't make out his facial expressions.
He's just such a vibrant, energetic person, an equal opportunity skewer-er and this tour his focus is on religion, civilization, man's inhumanity to man throughout the ages. You'd be hard pressed to find another comedian with his grasp of history, which is all then filtered through Izzard's insane brain, slathered with a hefty dose of psychedelic imagination and delivered with frenetic energy and generous helpings of ad libs.
What else, what else? Me, I've been a little on the "meh" front lately. For those who are keeping track, I'm still coping with the fall out from getting off Effexor (my fibromyalgia medicine). I've been off it for a couple of months now, but apparently it can take many, many months -- and, given how long I was on it, perhaps more than a year -- for my system to really "reset" and learn to function without it. It's improving, I think, but I'm still ridiculously weepy, and often irritable.
I'm adjusting more to the new pain meds; don't get quite as tired as I did before. In fact, the past few nights I've battled some wicked insomnia which has left me feeling hit by a truck during the day. But I suspect that's in large part due to my ongoing battle with sugar, which I -- for those keeping score -- I am currently losing in a big way. Blech.
I'm gearing up to head up to Camp Michigania at the end of next week for the Bear River Writer's Conference. My workshop is led by Elizabeth Kostova, she of the ridiculously best-selling vampire novel "The Historian." (I know, I know, I'm the least vampire-oriented girl on the planet, but I thought she might be a breath of fresh air.) I thought it was going to be sort of a straight-up fiction-writing workshop but apparently the title -- which I didn't know before I signed up -- is "Fiction and Painting," and will explore the similarities between the way painters paint and writers write. Huh. Guess we'll see about all that.
I'm still more jazzed than anything about the prospect of meeting (or at least being in the same room as) Amy Hempel. I'm going to take my copy of her collected short stories and see if I can't weasel a signature. I'm such a dork that way! Yeah, but only that way.
And a few more photos
Our trip to Scotland was scheduled so that we could enjoy two celebrations: the wedding of my oldest friend Deborah and my Grandma's 90th birthday (a few days early.) Deborah and I met when we were four years old and we're absolutely the worst when it comes to staying in touch with each other. Still, we have that kind of friendship where even though we go months without emailing, we have enough history that we know the other is floating out there in the universe and will be there for the asking.
And so Chris and I were thrilled that we could be there on her big day, which took place at the lovely Shieldhill Castle, about an hour outside Glasgow. (That's Deborah & her husband, Patrick, below, in case you hadn't put two and two together.)
This is Ruby, Deborah's niece and flower girl, reacting (probably quite rightly too) to something Chris was saying to her.
And Libby, older sister of Ruby and also a flower girl. (Sans wand but with basket for flower petals.)
Jennifer, mother of the bride, looking pleased-as-punch just minutes before the ceremony.
Deb's brother, Ed, and father, Neil, striking dashing poses.
Imparting a bit of motherly wisdom to the new bride, perhaps?
Toadstools and daffodils.
Each of the rooms at Shieldhill is named for a Scottish battle. Although this wasn't ours, the name seemed to fit me quite well...
And, on the day following the wedding, me donning a top hat because, of course, that's what one does...
And, of course, more photos of the big day in this Flickr set.
A million photos from Scotland
I've added a new plug-in for my blog, which uses PicLens Lite to create slideshows of photos posted here. If you wanna give it a whirl, click the link at the bottom of the post. It's a very cool thing. Below's a shot of Cleveden Crescent, the Glasgow West End street we stayed on our first night in town this trip. There are a number of these crescent-shaped streets around Glasgow, redolent with the Victorian architecture that is the city's hallmark.
One of my favorite things about the Victorian architecture is the details... like this beautiful period doorbell below. Why don't we make things this simple and lovely anymore?
Speaking of lovely details, behold this rainy rooftop, the view from our room at the White House Apartments.
As regular blog readers will know, I have a particular (and peculiar) fondness for the image of a lovely cup of coffee and I take shots of my coffees on my travels the world over. This one's a white coffee, as they say, set against the pink formica table tops of the University Cafe on Byres Road. I love the fact that the Uni, as its called, has been around forever and my mom and dad came here on dates, probably sitting across from each other at this very same table.
Some of the best details of Glasgow's architecture requires a glimpse upwards. Behold this birdie perched on a beautiful spire. The stained glass on the bay windows of the red sandstone tenements are another architectural hallmark of Glasgow's West End.
There is a very specific quality to the light in Glasgow. I'm a sucker for how it hits the red sandstone tenements in the morning.
Speaking of tenements, below is the view from the kitchen window of the flat we rented for the majority of our stay. At night you get a glimpse into other people's worlds, somehow both sweet and voyeuristic...
Again with the Victorian details: gorgeous green glass tiles adorn the fireplace of our rental flat.
On one of our days, we took a trip to the People's Palace and Winter Gardens, the museum to Glasgow's social history. While the museum proper wasn't the most riveting thing we'd done, there was a concert of multicultural music in the Winter Gardens, complete with wee kiddies banging along on percussion. Lovely and very moving.
Did I mention the weather was glorious while we were there? Stumbled upon this oeuvre en produce at a green grocer's on Byres Road on our way to the Botanic Gardens. Never have I found eggplant quite so beautiful.
This is Kibble Palace at the Botanic Gardens. Apparently the glasshouse underwent a massive renovation in 2006.
Botanics, fittingly enough. Sunny days like these are not what one typically associates with Glasgow. It was a stunner.
Don't let this pretty green plant fool you -- it's in the carniverous section!
I often forget to take photos of actual people when I'm traveling, but here's actual proof that Chris was with me!
Sigh. I know. For someone who professes not to be such a girlie girl, I'm a sucker for stunning pink blooms. I don't know what these flowers are but I remember them from when my grandma and grandpa would take us to the Botanic Gardens. Anyone know?
I'm also a total sucker for meringues. I managed to get away without eating one of these fluffy wonders (from Kember & Jones on Byres Road) but not without snapping their likeness.
And proof that I was there too -- along with my aunt Noriko and my uncle Douglas. Coffee and people watching at the Patisserie Francaise on Byres Road, our last afternoon.
(For those who wish to see even more shots of our brief visit, visit my Flickr page here.)
Things I love: Junot Diaz edition
It's been a long time since I've picked up a book and been so entertained I can't wait to steal away, if only for a few moments, to devour another page. The Brief Wondrous Life of Oscar Wao, the Pulitzer-winning first novel from acclaimed short story writer Junot Diaz, is the kind of book you fight through sleep to read, a flashy, heartbreaking, funny, intelligent family saga about a Dominican family in New York. Unapologetic in its refusal to cater to those unfamiliar with Dominican slang, astoundingly original in voice and scope and dishing out devastating foot-noted history lessons about the Dominican Republic with irreverent flair, this is a gem of a book. In other words, you should read it. (Check out this New York Times review for further proof.) And while this tour de force is enough to make an aspiring writer chuck aside her ambition in defeat, Diaz's honest recounting of the "dozens of times [he] had quit this novel only to restart it" in this Wall Street Journal profile proves ultimately endearing and inspiring. Diaz claims to still be scared of writing but says, of his life post-Pulitizer, "what's changed is now I have hope I can write something else."
It strikes me that the last two writers I've posted about here, Diaz and Lahiri, are both writers who speak frankly about how hard this business of writing is -- but, ultimately, that it brings hope. I like that. I need that. It makes me feel not so alone in my struggles to put words on the page and reminds me that there is a reason for doing so.
Back in the saddle
It shouldn't, but it always seems to take me by surprise just how exhausting these pilgrimages to Glasgow are. I think because, no the surface, it looks like a grand holiday, I never seem to adequately prepare myself for the toll it takes both emotionally and physically. It is, frankly, not a relaxing endeavor; in fact, it's anything but. Which is not to say that it isn't enjoyable, as it is, but it's also extremely difficult. The travel alone is, of course, taxing for someone with fibromyalgia. The discomfort of sitting in planes for hours, sleeping in strange beds with wonky pillows is very disruptive. But I don't seem to feel that as much until I get home, perhaps some delayed survivalist tactic my body performs subconsciously, so that I can function while I'm there. What I feel most is the overwhelming grip of emotion and nostalgia that tightens around me before we even leave the states and squeezes relentlessly until long after our return.
Every time I return to Scotland it is a strange set of contradictions for me. I am, in one way, returning home, to a place I left when I was ten, a place I didn't choose to leave but was whisked away from as my father's career took him to the states. There is an unbelievable amount of emotion, mostly in the form of an intense melancholy that kicks in as soon as our plane descends through the clouds and the green fields of Scotland appear below the wings, fields dotted with sheep and cattle. I've never been able to put my finger on why, exactly, but I feel overwhelmed by a dull aching, an inexplicable sadness that bubbles up and sort of simmers below the surface the whole time I'm there.
Unquestionably, that feeling has intensified for me since my mother's death nearly five years ago. How can a child possibly go home, to a place where nearly every memory, every person, every street, is tied so deeply to the past in general and her mother in particular? How can I walk those same streets, pass our old flat, our old playground, visit my grandmother and my uncle (on my mother's side) without that constant reminder of loss? And beyond that, even is another sense of loss -- of this other life that I might have lived, of a connection to my childhood.
There is the strange dichotomy of feeling as though I am coming home yet, at the same time, to a place I no longer fit in or belong. It feels a bit like being a pretender, a party crasher into the past. Whatever it is, it is always -- that is to say, that the entire time I'm in Glasgow, I am feeling things with full, relentless force. It is difficult and it is exhausting. It is wonderful to sit in my Gran's flat -- the same one I came to on lunch hours from our primary school just a half block away, almost completely unchanged over the years -- and talk about memories, but it also means constant awareness of the loss of my mother, a fresh wave of grief that is tough to escape from, unlike when distracted by the tasks of my everyday life back home.
On this trip, I also attended the wedding of my oldest friend, Deborah, and again the conflict of emotions presented itself. On the one hand, it was good and nostalgic to see her get married and hard to believe that this was the person I'd met first when we were four, when we lived in flats whose back greens sat just across the alley from one another. But it also highlighted the fact that, although we're still in touch, we aren't in touch very often and we don't know each other that well anymore. Another thing from the past that is both strong and present yet somehow distant and tenuous at the same time.
And on this trip we met a few Europeans who didn't make any attempt to hide their contempt for the US. Again, a conflict: while I certainly understand the negative view the world has on our nation, and agree with many of their concerns, I wasn't clear why criticizing the country I live in was appropriate opening small talk. It seems European contempt for our country's international actions supercedes a sense of hospitality (at least) and manners (at best), as well as the realization that we individual Americans are not the actions of our government. (I may blog more later about how deeply over-simplified the European understanding of US politics seems to be, but it might just upset me again to revisit it right now.) It both angered and saddened me at a time when I was already feeling extremely vulnerable, a bit out of place.
But that wasn't the balance of my experience in Glasgow. These trips are both good and important in the grand scheme of things. I'm sure I'll get around to posting more photos and more specifics about the trip, a few tales of our time in the motherland. However, for now, I am just feeling sore and tired and a bit overwhelmed by the experience. And glad to be back in my home, in my own life, which distractions and routine and one thing I don't feel in Scotland: ease.
This always happens
I get to Glasgow and I have great intentions of posting regularly, keeping you, my dear readers (and, especially, family members) apprised of our every move across the great pond. Then I wake up and it's our last day and I haven't written a word. Yet. It's also an unbelievably beautiful day, so I won't be spending much of it posting here. Glasgow in the spring is something to behold indeed, almost gorgeous enough to justify the massive rise in the ticket price compared to our usual October-November visits. Almost.
This has been a particularly quick trip for us, really only five days on the ground and the first hardly counts as we always spend it wandering around in a daze, having lost a night's sleep on the way over here. It has been a whirlwind, this two-fold visit: attending the wedding of my oldest friend and celebrating my Grandma's 90th birthday. There are tons of photos and stories to post later.
But the sun is shining -- no guarantee here, even in spring -- thus, I'll wrap it up and get on with my day. We'll try to work in a visit to Glasgow's famed Botanic Gardens (which I haven't been to since I was a wee lassie), but the real priority of the day is getting in farewell visits with family and friends. I see many cups of tea in my future!
Magnolias (and other pretties) too magnificent to miss
I'm sexy
I don't remember a lot of things. I have a memory like a sieve. (Except, oddly enough, for anything before the age of around 18, including the plot of every sitcom episode I ever watched as a child. Apparently, after that, my brain was full.) Thus, it was a surprise to me -- and a pleasant one at that -- to learn I've been credited with inspiring the theme for the soon-to-be-released latest issue of 52nd City, my favorite literary mag. Actually, since the theme of the new issue is "sexy," I should probably clarify that the 52nd City website credits me with suggesting the theme, as opposed to inspiring it. That's a big difference, I realize, as I write this. The latter could be confusing, particularly to anyone who's ever actually met me.
Even more thrilling than this claim to fame -- and the very fact that a new issue is imminent -- is that I have a piece in the issue. It's a pretty short piece about an encounter I had with a woman at the St. Louis Greyhound bus station about five years ago. I actually tried to expand it, to fictionalize it to make it more resonant. But, in the end, I hope (and think) that it's best left alone, as an unembellished glimpse at a brief, awkward moment in time.
To find out, you'll need to get your paws on the new issue and I can't think of a better way to do so than to attend the release party, this Saturday, April 26 at Snowflake. Now, having been out of St. Louis for a few years now, I don't know what a Snowflake is, but it sounds cool and refreshing, and that seems reason enough to go. From the 52nd City website, the event details are as follows:
52nd City Sexy Issue Release Where: Snowflake, 3156 Cherokee Street When: Saturday, April 26, 2008 Time: 4:00-7:00pm Admission: Free What's classier than Playboy and Maxim and much easier to hide under your mattress or in your sock drawer? SEXY--52nd City Magazine's ninth issue. Join us at the Snowflake on Saturday, April 26 from 4 to 7 p.m. for some delightfully cheeky food, drink, music, and entertainment. This issue includes a free CD from the SOUND issue--and a party at Snowflake never disappoints.
52nd City is also making some big changes after this issue -- they'll be going to a free distribution model. Personally, I have some mixed feelings about it -- I hate that people seem so reluctant to pay a decent and fair price for good writing. But I hope the increased circulation will attract even more advertisers and help ease the editors pain, eking by as they do by the skin of their teeth each month to pay the costs of producing this lovely-looking product.
It's worth noting that contributors are not paid for their submissions, so it's not like the writers or the editors make a penny. It's truly a labor of love. Thus, if you are a fan of writers and writing, of St. Louis, of art, of independent publishing, of me, of my cats, of being acknowledged for your support of said things, please note that there is now a Paypal button on the front page of 52nd City's website and you can make a contribution to the print fund, no matter how small (or big, of course), to help keep this gem afloat. I'd consider it a personal favor.
Also, on an entirely unrelated note, I just ate the most sublime avocado. Perfectly ripe, not even a bit brown around the edges. Thank you, nature. Thank you very much.
Things I love: earth edition
Yesterday was earth day and I didn't get you anything. Man, I feel just awful about that. I hope that someone else filled up your earth day stocking with leaves, reusable grocery bags, additive-free-beauty products and hope. Me? I took kind of a literal approach, planting things in actual earth. I went to the nursery and bought some gorgeous yellow and purple pansies and filled my window boxes and pots for the deck. It's really as close as I come -- and as close as I like to come -- to gardening.
Pansies are such a beautiful little flower, don't you think? With their lush little faces shining up at you? They're in good company, too. Chris and I took advantage of the gorgeous weather (finally!) and strolled into town for dinner and, let me tell you, it's a veritable riot of spring in these parts. Gone already are the crocuses that poked their hopeful faces up through the dirt even when spring was not a confirmed notion and in their place are daffies, tulips, hyacinths that perfume the street from feet away, and bright bursts of forsythia.
Perhaps most breath-taking of all, though, are the magnolia trees in the yards of the houses on West Washington. Aren't those the most amazing blossoms? Giant, elegant, the most perfect shape and shades of white and pink. Who came up with those? Genius, I tell you!
Would that I had taken my camera with me! Instead, I decided to try being in the moment and observing these things first hand rather than removing myself behind the lens and filtering the experience. Worthy, I say, but makes it harder to share. So for now, you'll just have to get your own spring.
Wandering into town last night, returning just when it was a tad chilly, reminded Chris and I of why we fell in love with Ann Arbor in the first place. And, for those curious, the answer is yes, it's worth every extended moment of winter.
Travel, soon
Normally I'm chomping at the bit for a little travel, but our next trip to Scotland is creeping upon us quickly -- we leave April 30 -- and I'm finding myself a tad exhausted at the thought. It's no reflection on the trip itself or the people we'll see; after all, we'll be celebrating my oldest friend's wedding and my grandma's 90th birthday in a short five-day visit. But if I'm to be honest, I'm just feeling exhausted in general right now. I've written quite extensively -- and, likely, boring-ly, for some of my readers -- about the shift I've made in my fibromyalgia meds in the past few months, in the hopes of diminishing my pain. I did not realize when I undertook said shift that it would have such a profound impact on my life for a number of months and beyond. I think I foolishly thought that it would be a quick shift and I'd be off to the races and feeling like a normal, pain-free person.
I've been on neurontin now for about six weeks now and, yes, my pain has been lessened. Unfortunately, so has my energy -- which, as those who know me, will attest -- is not naturally high. I'm tired all the time right now. Not low-level tired, which is pesky but ignore-able. But a pervasive and overwhelming exhaustion that makes even the basic tasks difficult and somehow far larger than they actually are. I am left wondering if this is the long-term trade-off and, if so, what would a sane person choose? Energy with pain? Or less pain and exhaustion? Both have a tremendous impact on quality of life and I'm struggling with what may be the right answer. (It occurs to me that I'm dangerously close to stomping my feet here and crying, "It isn't fair!")
On top of it all, I'm gaining quite a bit of weight which I suspect has something to do with the new meds, especially considering the fact that I've been following a pretty sensible eating plan. Seven pounds in six weeks. (I haven't had the energy to exercise very much lately, plus a knee injury that frustrates my meager efforts, but I don't think that's entirely to blame.) Yikes. It's a tough side effect for someone who struggles constantly to eat well and try to keep the scale moving in the other direction. Just feels like it's stacked against me right now and maybe I just need to focus on trying to accept, accept, accept. Blech.
And that concludes our highly whiny, self-pitying, mostly uninteresting post for the day. Sorry. It's what I got right now, folks.
Need a house?
Yeah, I know. It's not the best time to be putting a house on the market. Unfortunately, it doesn't change the fact that the house we've been hanging onto in St. Louis needs to go. Don't get me wrong; we've had a good run of it. There are no hard feelings. It's just that our current renters are moving out May 1 and I don't want to do the long distance landlord thing anymore. Long distance is just too hard. You feel me?
So we're putting our little blue house o' love up for sale and I am, of course, a tad worried. Every time I read the news there's another horror story about the housing market. I'm worried about months of paying rent here and mortgage there while we wait for someone to snap up our little home. Fortunately, our realtor tells us that houses in certain areas of the St. Louis market -- including Maplewood, where our house is -- are still moving. If it's cute and clean (which he says ours is) and priced right, which we hope it will be, it should still sell. Gulp.
We still have some work to do on it before it can go up and we're currently debating whether to update the kitchen before selling -- in the hopes of getting a little more for it -- or selling as-is at a lower price. As you can tell from the pic above, it's pretty old. The cabinets were pretty shabby when I bought the house and there's no dishwasher, which can be a dealbreaker for some. I probably need to stop watching HGTV shows that bellow "the kitchen sells the home!" Part of me wants to renovate but the thought of trying to coordinate it from here or having to camp out in the empty house for weeks in St. Louis -- and disrupt my life here to do so -- sounds like a huge headache.
And while I'm eager to sell the house and let it move on to its next relationship, I'm also a bit sad about it. I bought the house myself when I was a mere 27 years old and it was the biggest, most grown up thing I'd ever done at that point in my life. I made a lot of changes to the inside -- new floors, painted walls, details here and there... I really loved living in it. It's no doubt a starter home, but it's a sweet little one.
Once we sell it, we'll be able to start thinking about buying a house here. Well, let me rephrase that, since I've been thinking about buying a house here for two years. It's true that we've seen housing prices here drop drastically in our time in Ann Arbor, but they're still far above what we'd pay for comparable dwellings in St. Louis. Although my HGTV watching does remind me that St. Louis is a low-housing-oasis and that houses in the rest of the country go for ridiculous amounts. We've been spoiled and lucky and it's hard to adjust to this market.
We need something bigger than our little house in St. Louis, since Chris and I now both work from home and each need an office. And recent visits from friends and family have me convinced that we definitely need more than one bathroom. But that means we'll be paying around twice what we think we can sell our St. Louis house for. Yikes. It all gives me such a headache.
And we're not there yet, so I should probably just keep breathing for a while. I have faith that the house will find a buyer and that we will find the right house here when the time is right. But I figure it doesn't hurt to get things moving, so if you know anyone looking for a house in delightful Maplewood, why, I might have just the thing!
Things I love: Jhumpa Lahiri edition, part II
Perhaps the most endearing, interesting thing about seeing Jhumpa Lahiri read at Borders last night was the fact that she seemed so uncomfortable doing so. I'm heartened by writers who are just that: writers. And not performers. She struck me as someone far more at home lost in grappling with words at her computer than standing in front of a room full of fans. I like that. The author-as-rock-star phenomena is often so off-putting to me. Although, if I ever publish a book, I plan to only do readings in giant sports arenas. But that's just how I am. I was also moved, quite literally, to tears by her admission that some of her stories were two years in the making. I tend to be so hard on myself when my stories don't emerge fully formed or beaten into submission after a month of revision. I tend to be so impatient with the process because it is so very, very difficult, so very frustrating. And, along those lines, I also took great comfort in Lahiri's admission that winning literary prizes, in the end, makes no difference in the writing process because it is still hard and humbling and it doesn't make it any easier. She said:
"Every time I write something new from scratch, I am on all fours on the ground, trying to stand up...I am like a child, trying and trying and trying to stand up."
Which I think is so raw and beautiful and honest. I love her for not making it seem like writing is easy and, by extension, not giving me permission to give up just because it doesn't come quickly or easily.
And I loved her unabashed passion for the art of writing fiction. In response to one young reader's question, she said she thought that books and fiction are everything, that creating a good novel or a good story is one of the most important things anyone can contribute in a lifetime. Perhaps out of anyone else's mouth, those words would have seemed like hubris. But Lahiri has such humility about her that it was just obvious she was speaking of literature as a whole and not her own accomplishments, considerable though they may be. Of literature, of books and of writing, she said:
"They are my religion.... They give me faith and they give me hope and they guide me when I am lost."
Isn't it strange -- both wonderful and slightly uncomfortable -- to feel so deeply understood, to share such naked passion with someone you've never met, someone whose words and whose attitudes about writing give you faith, give you hope and guide you when you are lost?
Things I love: Jhumpa Lahiri edition
I'm in the midst of reading Gustave Flaubert's Madame Bovary for (gasp!) the very first time. How I missed reading a classic such as this in my expansive liberal arts education, I don't know. But I did. And now I'm making up for it. I could tell you that I am fueled by some passion for the classics but the truth is I kind of struck a deal with a writer friend of mine, whose favorite book this is, and am trying to make good on my end of the bargain. I'll be taking a respite from my reading this eve to head down to the downtown Borders (trivia: Borders started in Ann Arbor) for a reading by a very different writer indeed, the lovely and amazing Jhumpa Lahiri. She is, perhaps, about as different a writer as you can get from Monsieur Flaubert, even if both are given to plumbing the depths of human unhappiness within the family structure. If you haven't read her stuff, you may have seen the film The Namesake, based on Lahiri's debut novel and featured either Harold or Kumar is, of course, of course, not nearly as good. It doesn't count. You must still read the book.
It has been, in fact, a long time since I read and was instantly drawn to a writer the way I was when I first read Lahiri's short stories. (An exception may be Junot Diaz who, I was delighted to hear, just won the Pulitzer Prize for fiction yesterday for his novel The Brief, Wondrous Life of Oscar Wao.)
Lahiri is a spare writer, somehow achieving a balance that I find infuriating to accomplish: rich emotion without sentimentality. How? HOW, I ask you? I do not know. It is my hope, however, that if I go and bask in her presence and listen to her share with us her own written words, it will somehow rub off on me and I will become an equally magnificent writer through nothing other than proximity.
It could happen, right?
Things I love: Eddie Izzard edition
I'm a very slightly superstitious person. It's not so much that I believe in the power of jinxing something as much as it is I'm afraid it'll turn out to be real and powerful and I might have been imprudent in failing to observe said power. Thus, I don't plan too far in advance for celebrating anniversaries or birthdays or things as I don't want the universe to think I'm being cavalier and that they're a given.
Yes, I'm insane.
Anyhoo, I decided to tempt fate this time around by making plans for Chris' and my seventh wedding anniversary two months ahead of the curve. I feel fairly confident that we will make it to that milestone unless I discover that, say, instead of fighting stock fraud, he's been committing it. On the other hand, that might just make me proud of him and a lot, lot wealthier -- both worth staying in the marriage. But I digress. Focus, Julia! Focus!
I noted while on the Ticketmaster website, laughing at how much one might pay to see the double bill of The Police and Elvis Costellos*, I noticed that the singularly fabulous Eddie Izzard is doing a show in Detroit the day after our wedding anniversary. And what better way to celebrate your love than seeing live one of my idols, an acerbic, dazzlingly intelligent, mildly insane cross-dressing British comedian? Answer: none!
If you haven't experienced Eddie Izzard's one man show-stylings, rent the DVDs. (I think I like Dress to Kill best) His is a truly unique approach, offering up a dizzying array of historical observations and blink-and-you'll-miss-it sly bon mots. Keeps your brain on its toes, so to speak. (You may also be enjoying Eddie's pretty-darn-good American accent on FX's The Riches, which I also, naturally, dig.)
In other words, I can't wait. (Plus, the show's at the Detroit Opera House, which is supposed to be a stunning venue. Double score!)
*Answer: $94-$229.50 for Pavilion seats at the DTE Energy Music Center! A mere $44.50 for lawn. LAWN! And that's before the ridiculous fees they pile on.
Tally ho, Tally Hall
It's been a long time since I watched a music video. Which is funny, because I'm of the generation that came of age just as the moon man bounced in the dawn of MTV. I remember being in middle school and going over to a friend's house -- we didn't have cable -- to breathlessly await a new Duran Duran video. (The Reflex! With the wave of water coming out at the end like it was COMING RIGHT AT YOU!) Or staying up late to watch Friday Night Videos so that I'd be in the loop around the proverbial middle school water cooler the next day. All of this is a very long-winded way of saying that I just watched the new music video for the song "Good Day" by Ann Arbor band Tally Hall. I'm so out of the loop on local music -- hell, on new music in general -- but these guys seem to have garnered quite a following and have been popping up everywhere from the Late Late Show with Craig Ferguson to MTVu. (See, I don't even know what MTVu is.) I read in this month's Observer (a local rag) that they're re-releasing their first album "Marvin's Marvelous Mechanical Museum" on a major label. Good for them.
But back to the video. I don't know what the other kids are doing with their videos these days (and thus, it may turn out this video isn't remarkable at all) but the "Good Day" video is a tad infectious, a little dizzying and fun to watch, especially for Ann Arborites, since many shots were done around town. (They're playing in front of Rackham Hall! Now they're in the Big House!) Anyway, I'm not entirely sure about the song -- might be a little Queen-esquely operatic for my tastes -- but the sheer effort that must have gone into making this video makes it worth a nod. And who doesn't love a local-boys-make-good story?
Uncharacteristically speechless
Haven't blogged much lately because, believe it or not, I haven't had much to say. I'm still struggling with the switch in medications and while my newest fibromyalgia meds are alleviating some of my pain, they also leave me exhausted much of the time. It doesn't leave much time, energy or (to be honest) inclination to blog. Nor does it make for an exciting life filled with inspiration for blogging. You get the picture. I always hesitate, in fact, to write too much about my fibromyalgia and pain too much. I'm terribly self-conscious about and afraid of boring people. In my house, being sick could be seen as weakness or even a ploy for attention, so I have trouble letting go of all of that. I worry that I'm being overly-dramatic or I question myself about my motives: am I just trying to get attention, etc. In fact, I've gotten so good at acting like I'm fine that it would actually surprise most people who know me to learn that I'm in pain all day, every day, at varying levels.
I don't want to court pity, but it's difficult to talk -- or, in this case, write -- about my life without bringing it up. So there you have it. It's where I am. Right now, it's making working difficult, making writing difficult and even making the making of things more challenging, so I haven't been distracting myself as much with sewing or knitting projects. But I'm back in physical therapy, doing yoga, eating well and getting massage therapy occasionally, so I'm doing what I can.
Huh. Yep. Even bored myself with this post. I do know, however, that I have a couple of readers who suffer from fibromyalgia and, at the very least, maybe they'll get some comfort out of knowing they're not alone.